Welcome to Studio 222 Gallery
Showcasing incredible talent and
celebrating fiber artists everywhere!
Showcasing incredible talent and
celebrating fiber artists everywhere!
Studio 222 was established in 1999 by Mary Stevens of Waverly, Alabama, with founding members Cindy Reinke and Nancy Morgen. Active membership currently includes thirteen fiber artists from Alabama and Georgia who meet once a month in Auburn, AL. The artists of Studio 222 explore, experiment, and enjoy working in fiber and related art for
Studio 222 was established in 1999 by Mary Stevens of Waverly, Alabama, with founding members Cindy Reinke and Nancy Morgen. Active membership currently includes thirteen fiber artists from Alabama and Georgia who meet once a month in Auburn, AL. The artists of Studio 222 explore, experiment, and enjoy working in fiber and related art forms. Studio 222 provides the structure for a gathering of local artists to share knowledge and skills and to promote these interests in the communi
Since its inception, Studio 222 has exhibited annually at the Jan Dempsey Community Arts Center. Additional venues have included shows at the Southeastern Quilt and Textile Museum in Carrollton, Ga; the Auburn Unitarian Universalist Fellowship; the Anderson Comer Museum in Sylacauga; the Telfair B. Peet Theater; The Jule Collins Smith Mus
Since its inception, Studio 222 has exhibited annually at the Jan Dempsey Community Arts Center. Additional venues have included shows at the Southeastern Quilt and Textile Museum in Carrollton, Ga; the Auburn Unitarian Universalist Fellowship; the Anderson Comer Museum in Sylacauga; the Telfair B. Peet Theater; The Jule Collins Smith Museum of Fine Arts on the campus of Auburn University in Auburn; Calloway Gardens in Georgia; and locations in Montgomery, AL.
Nola Chambers – Auburn, Alabama
Carolyn Courson – Daphne, Alabama
Lorraine Crumpler – Montgomery, Alabama
Sarah Duffey – Carrollton, Georgia
Rolanda Gilbert-Eyke – Salem, Alabama
Linda Harshbarger – Opelika, Alabama
Sara Hurlbert – Montgomery, Alabama
Laura J. Kloberg – Auburn, Alabama
Nancy Morgen – Ellerslie, Georgia
Cynthia Reinke – Auburn, Ala
Nola Chambers – Auburn, Alabama
Carolyn Courson – Daphne, Alabama
Lorraine Crumpler – Montgomery, Alabama
Sarah Duffey – Carrollton, Georgia
Rolanda Gilbert-Eyke – Salem, Alabama
Linda Harshbarger – Opelika, Alabama
Sara Hurlbert – Montgomery, Alabama
Laura J. Kloberg – Auburn, Alabama
Nancy Morgen – Ellerslie, Georgia
Cynthia Reinke – Auburn, Alabama
Kimberly Scarborough – Auburn, Alabama
Mary Stevens – Waverly, Alabama
Sherry Watkins – Jacksons Gap, Alabama
Linda Harshbarger attended both Western Michigan University and Auburn University as an art major. After several years of raising two sons, and home sewing, she directed her creativity into quilt making in the early 1980's. Initially self-taught, ala trial and error, she later benefited from lectures, seminars and classes at the America
Linda Harshbarger attended both Western Michigan University and Auburn University as an art major. After several years of raising two sons, and home sewing, she directed her creativity into quilt making in the early 1980's. Initially self-taught, ala trial and error, she later benefited from lectures, seminars and classes at the American Quilter's Society shows in Paducah, Kentucky.
She has taught a “Quilting Basics” class through the Auburn University Outreach Program. She is a charter member of the Cotton Boll Quilt Guild of Auburn, having served as president for one year. A subject of biological record in “Who's Who in American Quilting” First Edition-1996. She has been a member of the Studio 222 fiber art group, since 2000. Linda and her husband, Fred, currently reside in Lee County, Alabama.
Transforming fabric and fiber into complex objects fascinates me. I enjoy using colors, textures, and patterns to translate ideas into tangible forms. The multiple layers and dimensionality of quilted objects provide additional avenues enhance my ideas.
My life-long love of the outdoors and scientific training color my ideas and designs. I
Transforming fabric and fiber into complex objects fascinates me. I enjoy using colors, textures, and patterns to translate ideas into tangible forms. The multiple layers and dimensionality of quilted objects provide additional avenues enhance my ideas.
My life-long love of the outdoors and scientific training color my ideas and designs. I tend towards the colors and themes of nature, science and mathematics. Being part of a quilt and fiber artists has expanded my ideas of quilt making, giving me a universe of possibilities to explore.
Just as a scientist uses multiple facts to create a new theory, and a computer programmer strings commands together to create a new program, I transform a variety of materials into complex new object.
Sherry Watkins is an artist that paints with fabric and thread to create realistic collages that tell a story, illuminating a memory or emotion. Her subject matter includes landscapes, dogs, cats and portraits. Her method includes using photographs for realistic images and an artist’s hand to evoke a sentiment. Much of her palette is bati
Sherry Watkins is an artist that paints with fabric and thread to create realistic collages that tell a story, illuminating a memory or emotion. Her subject matter includes landscapes, dogs, cats and portraits. Her method includes using photographs for realistic images and an artist’s hand to evoke a sentiment. Much of her palette is batiks, commercial printed fabrics, hand dyed cotton, silks, satins and a wide variety of threads. Her work shows in local galleries and shows nationwide. Her mother and grandmothers were instrumental in her knowledge of art, sewing, crochet and embroidery. Sherry and her husband, Jim, make their home on the shores of Lake Martin, Alabama.
Her work has been exhibited at
The Southern Quilt and Textile Museum in Carrollton GA,
The Kelly-Kelly Fitzgerald Museum in Wetumpka AL
The Red Hill Gallery in Tallassee AL
The Jan Dempsey Cultural Arts Center Gallery
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